Tuesday, September 23, 2008 | One comment
The Ripple Effect…
Last Saturday I attended the opening of the last show of the season at The James Patrick Gallery in Wiscasset, Maine. This exhibit, entitled “The Ripple Effect,” showcases the work of contemporary ceramic artists Robert Shay, Martin Tagseth, Shoji Satake, and Jen Allen, and focuses on the profound effect these artists have had on one another’s work.
Robert Shay
Like a stone cast into a still pool, this “ripple effect” of influence is felt by nearly all artists who spend time working in a studio with their peers. Often it requires only a passing observation from another artist to dramatically change the way we see our own work. This exchange of ideas is one of the great benefits of community studio situations, but there is also a current of influence created by simply leaving one’s studio and taking in the work of other artists in shows just like this one. I was particularly intrigued by the subtle, yet striking differences created in Jen Allen’s work simply by changing one variable…firing her pots in a wood kilnrather than her usual gas fired, reduction atmosphere.
Martin Tagseth
The James Patrick Gallery opened in 2004 and is owned by local patrons of the arts, and great friends of Watershed, Maureen and Jay Barrett. The gallery is housed in a beautifully renovated former Methodist Church on Fort Hill Street, and is known for bringing the work of internationally known ceramic artists, as well as an array of well respected artists of other media, to the mid-coast area. The lovely, light-filled space is the perfect back-drop in which to view the work of these amazing artists.
Shoji Satake
Jen Allen





